What should guitar strings be tuned to?
To be exact, from low to high, standard
Short Scale - . 34.0lbs Medium Scale - 35.7lbs Long Scale - 40.3lbs Extra Long Scale - 45.2lbs As you can see for the exact same string gauge, tuned to the exact same pitch, the tension varies depending on the scale length of the instrument.
String | Frequency | Scientific pitch notation |
---|---|---|
3 (G) | 196.00 Hz | G3 |
4 (D) | 146.83 Hz | D3 |
5 (A) | 110.00 Hz | A2 |
6 (E) | 82.41 Hz | E2 |
The most common electric guitar tuning is called standard guitar tuning. The standard tuning going from the lowest string to highest string is E-A-D-G-B-E.
You most definitely can tune a whole or half step down if you want to and perhaps then capo up accordingly. There's no should - 12-string guitars are built to withstand the tension. The thing is that a 12-string guitar can be pretty darned hard to play, even with light strings and a good set up.
One of the most important roles of string tension is its ability to provide power to a player's shots. Higher string tension allows the strings to store more energy and transfer it to the ball upon impact. This can help players generate more power on their shots, especially when hitting a serve or a groundstroke.
Hard tension strings are a bit harder to push down on the fingerboard (or fretboard) but generally speaking. They're not so hard that it is impossible to play with them. Their sound tends to be slightly duller, but higher tension strings are louder overall.
In simple terms, the debate is over which frequency should be used to tune instruments to. You could tune your guitar to 440 Hz or 432 Hz. Or you could have an entire orchestra tune to those or any other frequency for that matter. Granted, 440 Hz is universally accepted as the frequency we tune our instruments to.
How come? It's “A = 440 Hz”, meaning that we are defining a particular A note (the one above Middle C) as being 440 Hz, and all other notes are relative to that. This is called “concert pitch” and it allows instruments to be tuned in isolation but end up in tune with each other.
In music, tuning standards define the precise frequency of a single musical pitch (typically A4), so that all of the instruments that are performing a piece are in tune with one another. In modern music, the default tuning standard is A4 being tuned to 440 Hz.
What is the best guitar tuning?
Drop D tuning is the most common alternate guitar tuning, largely because it is so easy to tune to! The only string that changes from standard is the low E string, which is tuned down one whole step to D. Drop D is well known for its low, punchy sound and its very convenient one-finger power chord shape.
One of the most common alternate tunings for guitar is Drop D tuning, much because it is one of the easiest to employ. To get into Drop D tuning, simply to your low E string down a whole step so that the strings from top to bottom are DADGBE.
If you put on different gauge strings than the instrument was designed for, it can slightly aggravate tuning issues. The ends of the strings rest in grooves cut in the saddle and the nut, and thinner strings might sit too deeply in the nut grooves, and thicker ones slightly higher up above the fretboard.
The interference between the out-of-phase vibrations produces a phenomenon known as a beat that results in a periodic rise and fall of intensity that is, in music, often considered pleasing to the ear. Pete Seeger described the distinctive sound of the 12-string guitar as "the clanging of bells."
The string spacing on a 12-string acoustic guitar is generally narrower than that of a 6-string. That means it requires more precision when picking and fretting individual strings. Additionally, fretting chords and string bends requires more force due to the higher string tension on the neck.
In a 12-string guitar, you will find the convenience of using six pairs of strings, normally tuned either in octaves or for the first and second string pair's harmony (E and B in most standard tuning).
Players often say “high tension strings bite into the ball giving more spin.” (“Biting” is used in common tennis parlance to mean creating more friction by increasing the space between strings for the ball to sink into; using rougher, stickier, textured, or shaped strings to “grab” the ball; using thinner strings to ...
A high tension ranges from around 28lbs (or 12kg) and above, going up to the extremes of around 34lbs. Intermediate players will need a slightly larger sweet spot than advanced players and also probably won't want to pay for a restring every week! Therefore a string tension in the range of 24 – 28lbs would be suitable.
String tension makes no difference to spin.
You can tell if your guitar action is too high by taking a good look at your fingers and realizing that your fingers have lines in them and your fingers are sore. A well-tweaked guitar will move the strings closer to the frets without causing buzzing, rattling, or dull thuds.
Should all guitar strings have same tension?
As you may have gathered, string tension will be different for every string in a set. This is because there are different gauges within a set and each string is tuned to a different pitch (though they'll likely have the same scale length across all the strings).
Tension is based on mass, scale length and tuning to pitch. Those factors don't typically change as a string ages. A "stretched" string has the same amount of tension on it if the mass is the same and the pitch and scale length haven't changed.
To be exact, from low to high, standard guitar tuning is EADGBE—three intervals of a fourth (low E to A, A to D and D to G), followed by a major third (G to B), followed by one more fourth (B to the high E).
Your guitar tuner should be set to 440Hz. On the KorgCA-30 shown in the picture this is indicated at the top left of its display. 440Hz is known as “Concert pitch” which means what sound frequency is defined as being the note of “A”, and that's 440Hertz for 440 sound waves per second.
It isn't in a particular key. Standard (guitar) tuning is EADGBE; those notes reduce to a pentatonic scale which could belong to major keys in F, C, G, and D, as well as their relative minors.
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